No, she’s definitely not touching the keys. Not this time. Minutes earlier, Lin played a hyper-speed arrangement of George Gershwin’s “I’ve Got Rhythm.” The same song is playing now, except this time Lin hands are on her lap. It’s uncanny, really: The exact same keys are pressed, the exact same trills are heard, the same dynamics are present. It’s a little magical—or “almost scary” as Lin puts it—as though you’re witnessing a prodigious ghost mimic her every move. Full story.
Liz Stinson (WIRED) / April 1, 2015